[postlink]http://yoursoundtrackfilm.blogspot.com/2012/02/estrella-morente-volver.html[/postlink]http://www.youtube.com/watch?v=mSsSDvjMKnkendofvid
[starttext]
by: Carlos Gardel
Perfomed by: Estrella Morente
Spanish:
Yo adivino el parpadeo
de las luces que a lo lejos,
van marcando mi retorno...
Son las mismas que alumbraron,
con sus palidos reflejos,
hondas horas de dolor.
Y aunque no quise el regreso,
siempre se vuelve al primer amor.
La quieta calle donde el eco dijo:
Tuya es su vida, tuyo es su querer,
bajo el burlon mirar de las estrellas
que con indiferencia hoy me ven volver... See all
English Version:
Superb Must See
Pedro Almodóvar
Director , Writer, Soundtrack
“I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness.”
~ PEDRO ALMODÓVAR
Bio
[endtext]
[starttext]
by: Carlos Gardel
Perfomed by: Estrella Morente
Spanish:
Yo adivino el parpadeo
de las luces que a lo lejos,
van marcando mi retorno...
Son las mismas que alumbraron,
con sus palidos reflejos,
hondas horas de dolor.
Y aunque no quise el regreso,
siempre se vuelve al primer amor.
La quieta calle donde el eco dijo:
Tuya es su vida, tuyo es su querer,
bajo el burlon mirar de las estrellas
que con indiferencia hoy me ven volver... See all
English Version:
I imagine the flickering
of the lights that in the distance will be marking my return. They're the same that lit, with their pale reflections, deep hours of pain And even though I didn't want to come back, you always return to your first love The tranquil street where the echo said yours is her life, yours is her love, under the mocking gaze of the stars that, with indifference, today see me return. See all |
Genre: Comedy, Crime, Drama -- 121 min
Release Date: 26 January 2007, USA
Release Date: 26 January 2007, USA
Filming Locations: Almagro, Ciudad Real, Castilla-La Mancha, Spain
Volver ("To Return") occurs in Spain in 2006. Raimunda (Penélope Cruz), her sister Sole (Lola Dueñas) and Raimunda's 14-year-old daughter Paula (Yohana Cobo) visit their home village of Alcanfor de las Infantas to clean the tombstones of their dead parents, who died in a fire four years earlier. They also visit the home of their aunt, Tía Paula (Chus Lampreave). The aunt is living in the past and knows only Raimunda. They stop by to visit a neighbor, Agustina (Blanca Portillo), who looks after Tía Paula and whose own mother disappeared the day Raimunda's parents died.
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It's when you stumble out of the cinema and dive into the nearest coffee shop to greet the assistant in a language you only use on holiday that the power of this movie becomes evident. This is incredibly powerful stuff...and done in a way only Pedro Almodovar knows how. Cruz is absolutely magnificent in a finely nuanced performance. This an incredible mix of gritty realism and absolute fantasy. The dialogue is clipped and aggressive....wonderful...none of that Hollywood psychobabble and truly down to earth. This is a film about the lives of people who won't see it, if they even get an opportunity...subtitled films are the preserve of the chattering classes right? How many independent cinemas are to be found in working class areas? Can't see this being shown at the local flea pit ...a real shame really, it's a must see for all. See all
Pedro Almodóvar
Director , Writer, Soundtrack
Date of Birth: 24 September 1949, Calzada de Calatrava, Ciudad Real, Castilla-La Mancha, Spain
Birth Name: Pedro Almodóvar Caballero
Nickname: Marty
Height: 5' 9¾" (1.77 m)
“I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness.”
~ PEDRO ALMODÓVAR
Bio
Splashing his colorful films across the dour post-Franco Spanish landscape with the irreverent glee of a prostitute arriving late to church after a long night, Pedro Almodóvar has been called the most influential Spanish filmmaker since Luis Buñuel. Beginning in the 1980s, Almodóvar started serving up provocative, candy-colored visions fraught with postmodernist insight into everything from sex and violence to religion and the dangers of good gazpacho. Sometimes shocking, sometimes controversial, Almodóvar’s films have always managed to present a new and intriguing view of his native country, shaping the attitudes of both his compatriots and a larger international audience. See all
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