[postlink]http://yoursoundtrackfilm.blogspot.com/2012/02/metallica-ecstasy-of-gold.html[/postlink]http://www.youtube.com/watch?v=MLhn9tc8Dvoendofvid
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The Good The Bad & The Ugly
Synopsis
Review
A sprawling Western epic that follows the adventures of three gunfighters looking for $200,000 in stolen gold, Sergio Leone's `The Good, the Bad, and the Ugly' is a masterpiece, one that continues to get better and better with each viewing. In a way, it's a morality play, weighing the consequences of good and evil, but it does so in a realistic manner. Sometimes, crime does pay, at least in the short term, and sometimes good does go unrewarded. This film probably signaled the death knell of the traditional John Wayne `White Hat/Black Hat' Western. See all
Sergio Leone
[Writer, Director]
Date of Birth: 3 January 1929, Rome, Lazio, Italiy
Height: 5' 8" (1.73 m)
“In my childhood, America was like a religion. Then, real-life Americans abruptly entered my life in jeeps and upset all my dreams.” Sergio Leone
Bio
Sergio Leone was virtually born into the cinema - he was the son of Roberto Roberti (aka Vincenzo Leone), one of Italy's cinema pioneers, and actress Bice Valerian. Leone entered films in his late teens, working as an assistant director to both Italian directors and American directors working in Italy (usually making Biblical and Roman epics, much in vogue at the time). Towards the end of the 1950s he started writing screenplays, and began directing after taking over Gli ultimi giorni di Pompei (1959) in mid-shoot after its original director fell ill. His first solo feature, Il colosso di Rodi (1961), was a routine Roman epic, but his second feature, Per un pugno di dollari (1964), a shameless remake of Akira Kurosawa's Yôjinbô (1961), caused a revolution. See all
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[starttext]
The Good The Bad & The Ugly
Genre: Adventure, Western -- 161 min
Release Date: 29 December 1967, USA
Release Date: 29 December 1967, USA
Filming Locations: Calvados, France
Synopsis
The film tells the story of three men who pursue, often at the expense of others, information about the location of a buried treasure of coins. The first character introduced in the movie is Tuco Benedicto Pacifico Juan Maria Ramirez (the Ugly) - called Tuco - (Eli Wallach), who has a bounty on his head for numerous crimes. Tuco has a partnership with Blondie (The Good, played by Clint Eastwood) in which the latter turns him in for the reward money which the two then split after Blondie saves Tuco from hanging at the last moment. Meanwhile, a third character called Angel Eyes (Lee Van Cleef, playing the Bad) has learned of a hidden trunk of gold owned by a Confederate soldier named Bill Carson. He sets off to find the gold. See all
Review
A sprawling Western epic that follows the adventures of three gunfighters looking for $200,000 in stolen gold, Sergio Leone's `The Good, the Bad, and the Ugly' is a masterpiece, one that continues to get better and better with each viewing. In a way, it's a morality play, weighing the consequences of good and evil, but it does so in a realistic manner. Sometimes, crime does pay, at least in the short term, and sometimes good does go unrewarded. This film probably signaled the death knell of the traditional John Wayne `White Hat/Black Hat' Western. See all
Sergio Leone
[Writer, Director]
Date of Birth: 3 January 1929, Rome, Lazio, Italiy
Height: 5' 8" (1.73 m)
“In my childhood, America was like a religion. Then, real-life Americans abruptly entered my life in jeeps and upset all my dreams.” Sergio Leone
Bio
Sergio Leone was virtually born into the cinema - he was the son of Roberto Roberti (aka Vincenzo Leone), one of Italy's cinema pioneers, and actress Bice Valerian. Leone entered films in his late teens, working as an assistant director to both Italian directors and American directors working in Italy (usually making Biblical and Roman epics, much in vogue at the time). Towards the end of the 1950s he started writing screenplays, and began directing after taking over Gli ultimi giorni di Pompei (1959) in mid-shoot after its original director fell ill. His first solo feature, Il colosso di Rodi (1961), was a routine Roman epic, but his second feature, Per un pugno di dollari (1964), a shameless remake of Akira Kurosawa's Yôjinbô (1961), caused a revolution. See all
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