[postlink]https://yoursoundtrackfilm.blogspot.com/2011/09/chris-cornell-you-know-my-name.html[/postlink]http://www.youtube.com/watch?v=nxAm8Y1w6BIendofvid
[starttext]
[endtext]
[starttext]
You Know My Name
Written and Produced by: Chris Cornell and David Arnold
Performed by: Chris Cornell
Tuning: EADGBE Chords: A Bm D E F# G Gm Abm Intro: Bm G E x4 Bm Gm If you take a life do you know what you'll give? D Odds are, you won't like what it is. Bm Gm When the storm arrives, would you be seen with me? D F#m By the merciless eyes of deceit? G F#m Bm A Abm I've seen angels fall from blinding heights G F#m Bm A Abm G But you yourself are nothing so divine F#m Just next in line. Chorus Bm G E Arm yourself because no-one else here will save you Bm G The odds will betray you E And I will replace you Bm G E You can't deny the prize it may never fulfill you Bm G It longs to kill you E Are you willing to die? E The coldest blood runs through my veins Bm G E You know my name Bm Gm If you come inside things will not be the same D When you return to the night Bm And if you think you've won Gm You never saw me change D F#m The game that we all been playing G F#m Bm A Abm G I've seen diamonds cut through harder men F#m Than you yourself Bm A Abm G But if you must pretend F#m You may meet your end Chorus Bm G E Arm yourself because no-one else here will save you Bm G The odds will betray you E And I will replace you Bm G E You can't deny the prize it may never fulfill you Bm G It longs to kill you E Are you willing to die? E The coldest blood runs through my veins G Try to hide your hand E Forget how to feel (Forget how to feel) G E Life is gone with just a spin of the wheel (Spin of the wheel) Bm G E Arm yourself because no-one else here will save you Bm G The odds will betray you E And I will replace you Bm G E You can't deny the prize it may never fulfill you Bm G It longs to kill you E Are you willing to die? E The coldest blood runs through my veins You know my name You know my name
Casino Royal (2006)Genre: Action, Adventure, Crime -- 144 min
Release Date: 15 November 2006 (Indonesia)
Filming Location: "The Canals", Venice, Veneto, Italy
Storyline
Review
Martin Campbell
Height: 5' 10" (1.78 m)
*http://www.imdb.com/title/tt0381061/
*http://mubi.com/cast_members/16871
Release Date: 15 November 2006 (Indonesia)
Filming Location: "The Canals", Venice, Veneto, Italy
Storyline
The movie begins in the city of Prague, Czech Republic, where James Bond has tracked down an MI6 section chief, Dryden, who was selling information to enemies for profit. They chat about what it takes to be a Double O agent (one of the requirements is making two kills) and Bond casually tells Dryden that his espionage contact, Fisher died, and "Not well." Intercut with the conversation are black and white scenes of Bond and Dryden's contact fighting in a men's room. Bond finally pushes the man's face into an overflowing sink and holds him there until he falls to the floor, apparently dead.
Dryden points a gun at Bond. "Shame. We hardly got to know each other." He pulls the trigger, but James has taken removed the ammunition from the weapon. "I know where you keep your gun. I suppose that's something." Despite this, Dryden taunts Bond, asking him if he felt any remorse or guilt over killing Fisher. Dryden says that Bond "needn't worry, the second is--" at which point Bond kills Dryden. Bond puts his pistol away saying, "Yes, considerably." (Though not said explicitly, Bond found the killing of Dryden, his second such kill, "considerably" easier than the first.) In flashback, Fisher recovers from Bond's attempt to drown him and picks up his pistol. The frame instantly shifts to the series' iconic "gun barrel" sequence. Bond spins around and shoots the man. Blood runs down the frame, prompting the opening titles.
The scene shifts to Uganda where a terrorist group is meeting with "Le Chiffre", a private banker to terrorist groups around the world. The broker for the deal is a Mr. White, who invests their money and manipulates stocks so they get a 100% return on the investment. The terrorists, lead by a man named Obanno, agree to allow the money to be taken for Le Chiffre's nefarious purposes.
In Madagascar, Bond, on his first mission as a "00", is working with another agent, Carter, monitoring a terrorist, Mollaka, who is gambling on a match between a cobra and a mongoose... Bond's inexperienced partner agent is exposed after Mollaka gets a cell call and the terrorist bolts from the scene. Bond chases the man, who is an experienced "free runner" (parkour) who leads Bond through a construction site, onto several sky cranes and finally to the Nambutu embassy where he seeks asylum. Bond charges into the embassy, in direct contravention of international law and his orders, and catches Mollaka. Bond fights his way thru the halls of the embassy and finally finds himself surrounded by armed guards. The ambassador appears and orders Bond to let Mollaka go. Bond shoots the terrorist and a nearby gas tank and escapes in the explosion. He also steals the backpack Mollaka was carrying. Searching through the backpack, he finds a cell phone and a bomb. Bond examines the man's messages briefly, seeing one with an American phone number and the word "ellipsis." Bond keeps the phone.
Back at MI6, M is furious that 007's violent actions were caught on tape at the Nambutu embassy. Bond later sneaks into M's home and hacks her top-level clearance so he can trace where the cell phone call originated from. When M enters she's startled and lectures him on proper protocol and conduct. She thought it was a mistake to give him 00 status. Bond assures her that "the life expectancy of a 00 is brief, so your mistake will be short-lived." M tells him that "arrogance and self-awareness seldom go hand-in-hand" and she wanted him to take his ego out of the equation when on a mission. She also tells him to go on a brief vacation until she can decide how best to deal with him. Bond had discovered that the call to Mollaka originated in the Bahamas and so Bond goes there to investigate who made the call and why. He ends up finding a middle man, Dmitrios, who was working for Le Chiffre and that he was hired to find someone who could carry out a task for Le Chiffre. Bond meets Dmitrios and plays poker with him, winning his 1964 Aston Martin. Bond uses the Aston to finagle a romantic evening with Dmitrios' spurned wife, Solange, to get information about her husband. She tells Bond that Dmitrios is going to Miami. Bond follows him there where he confronts Dmitrios, after seeing him put a bag away for someone to pick up later. Bond kills Dmitrios when he's held at knifepoint, however, the bag goes missing and Bond follows the man, Carlos, hired for Mollaka's job. Bond follows Carlos to Miami International Airport, where he pulls a security uniform out of the bag and puts it on. He slips into the secured area of the airport and Bond follows him, having figured out "ellipsis" was the security code to get through the door. M calls Bond to tell him Le Chiffre will have Carlos destroy the prototype for a large airline named Skyfleet. The prototype is the largest aircraft in the world and destroying it will bankrupt Skyfleet. Carlos sets off the emergency sprinkler system in the building to cause a diversion and slips out onto the tarmac. Carlos attaches an explosive charge to a refueling tanker and starts driving it towards the plane. However, Bond manages to leap onto the tanker. The two have a vicious fight all the way around the runways while being chased by the Miami-Dade Police. Eventually, Carlos leaps off the truck, and Bond is barely able to stop the tanker from hitting the plane. Carlos smiles as Bond is arrested and sets off the charge. Except Bond attached the charge to Carlos' belt during the melee, and Carlos ends up dead.
Returning to Nassau, Bond discovers a crime scene, the victim being Solange. M explains she was torturned and killed by Le Chiffre because she was the only one left alive and he assumed she talked. Le Chiffre's plan was to short sell millions of dollars in Skyfleet stock and destroying their prototype, causing their stock to plummet and send them into bankruptcy. Thanks to Bond, Le Chiffre loses over $101 million dollars. Now a marked man, Le Chiffre must find another way to earn the money back so his investors will not kill him. He sets up a high stakes poker match in Montenegro for 10 players with entry fees at $10 million each + a $5 million buy back should they lose all their money. M informs Bond of the poker game and agrees to let Bond continue the mission since he's the best poker player in the service. M also implants a homing device on 007 so she can track him anywhere.
The British Government will be putting up the money and we are introduced to Vesper Lynd who is the government agent who is going to monitor Bond and give a go, no-go should he lose the money. They talk on the train about each other, Vesper commenting on his cold nature and Bond remarking on how Vesper is retentive. Upon arriving they are to pose as a married couple and meet Rene Mathis, their contact in Montenegro. Each poker player has their money in a Swiss bank in escrow while they play and each one has a password to keep the money secured. Vesper has the account number but only 007 knows the password. On the first hand, 007 loses a chunk of cash to figure out how Le Chiffre bluffs (his physical "tell" involves him placing his left hand near his wounded eye), however Vesper is not at all amused. After a lengthy round of hands, a break is called. Bond places a tracking device in Le Chiffre's asthma inhaler and takes Vesper back to their room. Le Chiffre is called back to his room by his girlfriend, Valenka. However, he was confronted by Obanno and his henchman, demanding his money back. They threaten to cut off Valenka's arm. However, Le Chiffre doesn't acquiesce. Out in the hallway, Bond hears Valenka screaming. He quickly grabs Vesper and they kiss in the stairway entrance to cover themselves. However Obanno's henchman notices Bond's earpiece and attacks them both. The fight takes them into the stairwell, where the henchman gets thrown off the stairwell to his death, and James and Obanno have a knock-down drag-out fight all the way down the stairwell. Finding landing on the bottom, Bond gets Obanno into a chokehold. Obanno tries to reach for Bond's gun, but Vesper smashes it out of his hands. Bond kills Obanno and orders Vesper to contact Mathis, who sets up a man to take the fall for the dead bodies by placing them in the man's car trunk. Bond finishes the poker session, but he returns to the room to find Vesper shaking uncontrollably in the shower from the fight. He holds on to her and comforts her.
The next day, during the continuing poker game, Bond loses all his money to Le Chiffre after misreading a bluff and admits to Vesper that he made a mistake. Vesper won't give him the buy back money saying he's going to lose it. Furious, 007 goes after Le Chiffre but is stopped by one of the other poker players, Felix Leiter, sent by the CIA to the poker match to catch Le Chiffre. Leiter tells 007 that he's doing poorly himself in the game and that he'll back Bond to re-enter the game; Leiter believes that Bond can beat Le Chiffre. In return, Bond will give Le Chiffre to the CIA. Bond slowly builds his bank again and once again becomes a threat to Le Chiffre. Le Chiffre has Valenka poison Bond's martini with digitalis, causing Bond to suffer severe tachycardia. Bond goes to his car distressed and, communicating with medical specialists at MI6 headquarters, is about to use the defibrillator when he sees the the connection isn't plugged in and passes out. Vesper arrives, fixes the defibrillator kit and shocks him back to life. Bond, shaken, returns to the game. The final hand of the game is down to four players, including Bond and Le Chiffre, who go "all in", betting their remaining money, driving the "pot" well over $120 million. One man has a flush, while another has a full house. Le Chiffre has a higher full house and is about to take the entire pot. Bond reveals he has a straight flush and wins the game.
Bond has dinner with Vesper, who receives a call from Mathis stating that Le Chiffre has been apprehended by the CIA. Vesper leaves the dining room; seconds later, Bond realizes she's in danger. Vesper is kidnapped by Le Chiffre. Bond races after them in his Aston Martin, but has to swerve violently when he sees Vesper lying bound in the road. The car rolls several times, destroying it and injuring Bond, rendering him unconscious. Le Chiffre and his cronies take him, remove his homing implant and take him and Vesper to a nearby tramp steamer. Bond is stripped and bound to a chair with the seat removed, leaving his testicles exposed. Le Chiffre uses a large knotted rope, striking Bond's scrotum, demanding the password for the account the winnings have been secured in. Bond refuses, despite Le Chiffre's threats to kill him and Vesper. Le Chiffre finally draws a knife and is about to castrate Bond when gunshots are heard outside. The door opens and Mr. White, the broker from the first scene with Obanno, walks in. Le Chiffre pleads with him, saying he'll secure the money, to which White replies, "Money isn't as important to our organization as knowing who to trust." White shoots Le Chiffre in the forehead, killing him.
Bond wakes up in a hospital bed during a haze while he recovers. He talks to Mathis, whom he believes was responsible for his and Vesper's capture by Le Chiffre. MI6 agents appear, taze Mathis and drag him away.
Vesper visits Bond and they confess their love for each other. The Swiss banker in charge of the winnings account visits and Bond gives Vesper the password to key in; the password is her own first name. Bond resigns from the service to go away with Vesper, and they sail to Venice, Italy where Vesper says she'll get the money and Bond will get the supplies for the trip. When M phones 007 about his resignation, she says that they need to talk about the money being returned to the British government first, which tips off 007 that Vesper was using him all along. 007 follows Vesper to a secret meeting where she turns the money over, in cash, to a man named Gettler. Gettler and a few of his men retreat to a building being renovated and a gunfight ensues. Bond shoots and ruptures the flotation bags that hold the building above water-level and fights with them all, killing them. He tries to save Vesper, locked in an old elevator, but is unable to after she commits suicide by drowning herself. Bond recovers her body and takes her above water but is unable to revive her. Mr. White, who'd been watching the scene, is seen leaving with the suitcase full of money.
Sitting on the sailboat he and Vesper had been vacationing on, Bond talks to M, who informs him that Vesper had a boyfriend who was being held by Le Chiffre's organization. She had intended to pay off Le Chiffre's associates with the money to secure her boyfriend's release. M believes that there are no further leads, that the "trail has gone cold." Bond examines Vesper's cell phone and finds the phone number of Mr. White, which he theorized she left for him on purpose. At Lake Como in Northern Italy, White arrives at a palatial estate. After he exits his car, he receives a phone call from someone telling him they "need to talk." Asking who the caller is, White is suddenly shot in the leg by a sniper. He falls to the ground and crawls toward the house. As he tries to climb the stairs and the familiar Bond theme begins to play, Bond appears carrying a cell phone and an HK rifle. As White looks up defiantly, Bond says "The name's Bond. James Bond." The closing titles roll immediately. by briant-6.
Review
"Millenium" series James Bond - top-of-the-line!
In the original Bond series, only a handful of films really attempted to touch base with the novels of Ian Fleming. "Dr. No" showed the Fleming feeling for character and action, but introduced elements to the plot that detracted from the 'hard-boiled' spy story that Fleming thought he was writing; "Thunderball" came close, but that was because Fleming developed the story on commission for the film. "On Her Majesty's Secret Service" had the book's plot pretty down pat, and was made in a kind of 'grand adventure' style, but of course it suffered from the choice of Lazenby - a professional model, not an actor - as Bond. "The Living Daylights" showed the producers' interest in returning to the roots, but Dalton was uncomfortable playing Bond, and uncomfortable with the wisecracks which had become part of the character's schtick - and which were really badly written for the Dalton films. "Goldeneye" was admirable attempt to update the Fleming milieu for the end of the Cold War, but left the character himself as yet without an 'updated' definition.
The decision to make a 21st Century version of Fleming's first Bond novel - and, beyond the update, to remain true to the novel, sans comic patter, sans sci-fi techno-schtick, sans major rewrite of the basic plot - promised to present Bond fans of all ages with a direct challenge. Do we want the hard-boiled spy Fleming first envisioned - patterned after Chandler's Philip Marlowe and W. Somerset Maughm's Ashenden ("or: The British Agent")? Or would we really rather have the suave stand-up comedian and Playboy magazine contributor introduced by Broccoli, Maibaum, Young, and company, in the second Connery film, "From Russia With Love"?
Well, the votes are still being tallied on that.
As someone who came to Bond reading "Goldfinger" at the tender age of twelve (the phrase "round, firm, pointed breasts" has been an inspiration to me since), the closer the films came to the sense of the novels, the happier I was.
So of course, this version of Bond is a joyous surprise for me - my youthful daydreams have been vindicated and at last fully satisfied. There are indeed elements added to the plot, but they are completely congruent with it. There is the use of current technology, but no techno-schtick - i.e., no Q. and no "gadgets". There are the luscious Bond babes (2 - the minimum Bond requirement), but there is no attempt to reduce them to photogenic sex-toys.
Fleming's plot actually requires the film's addition of some heavy action sequences (all done very snappy, with a brutally realistic edge), because the novel is very claustrophobic; the original TV version of the story (1955, with Barry Nelson as 'Jimmy Bond'), only used three indoor sets, because it could - except for the car chase and an attempted bombing at an outdoor café, Fleming's novel took place almost entirely within Bond's hotel suite and the gaming room. The film's opening this novel out to the world is actually quite welcome, and does not affect the central plot or its theme.
The character of Bond presented in this film may disappoint followers of the original films, but the news is, this is FLEMING's Bond - an orphan uncertain of his own identity, a disillusioned romantic trying hard to pretend he's incapable of emotions, a middle class, middle-brow, middle-level management type who just happens to kill people for a living. But he does it extremely well.
The other problem some general viewers may have is the level of violence in the film; having determined to film the novel realistically, director Martin Campbell has decided to ditch the 'B-movie' violence of most of the earlier films, and present us the violence with a hard 'British neo-noir' edge to it. Given the romantic plot twist toward the end, this would be a perfect date movie - except that the violence left some of the female viewers in the theater I attended clearly unsettled. That's not necessarily a bad thing, it just is part of the gestalt of the film's experience.
Cambell's direction is very good; the writing is crisp; production values are very high; the photography is stunning. Some of the stunt work is truly remarkable, worthy competition for Jackie Chan. The acting is rock-solid and believable for these characters. There is plenty of muscle for the action-film fan, and some real brains for the more general viewer to ponder later.
This film is best viewed with minimal reliance on knowledge of the previous series. In fact, it functions perfectly well as a 'one-off', a film without a series.
But of course, the ending invites a sequel. In Godzilla terms, Connery and Moore having given us the 'showa' Bond, Dalton and Brosnan the "Heisei" Bond, we now have the "Millenium" series James Bond - not a prequel nor even a 'reboot', but, really, an entirely new series about the same character. It is probably too much to hope for, but maybe they can make the sequels just as good as this.
As a genre film it never quite lifts above its genre; so normally I would only give it "nine stars" as a film.
However, as a film within its genre, it is top-of-the-line - so it gets a ten. by winner55, USA
Martin Campbell
(Director, Producer, Actor)
Born: October 24, 1943 in Hastings, New ZealandHeight: 5' 10" (1.78 m)
“I like pre-production and post the best. I don't like shooting at all. I find it grueling and tough, but I love post and the whole process of seeing the film finally come together. You start ironing out all the rough spots, and the really bad bits you just throw away. So from day one of post to the last day, you see nothing but improvements.” Martin Campbell
Mini Biography
Martin Campbell knows how to entertain an audience when he steps behind the camera. When he directed The Mask Of Zorro, the movie earned Academy Award and Golden Globe nominations and launched the international careers of Antonio Banderas and Catherine Zeta-Jones. Next, when he helmed Vertical Limit, the film was well received by the critics and earned over $200 million in worldwide box office sales. In addition, Campbell is credited with rejuvenating the James Bond franchise when he directed GoldenEye, Pierce Brosnan's first outing as the famed British spy, which went on to gross more than $350 million. He is directing the next Bond feature as well, Casino Royale.
Born in New Zealand, Campbell moved to London where he began his career as a cameraman. He went on to produce the controversial British feature Scum, as well as Black Joy, which was selected for competition at the Cannes Film Festival. Campbell made his directorial debut on the British police action series "The Professionals," and continued with the popular BBC series "Shoestring" and Thames TV's "Minder."
Considered one of the U.K.'s top directors by the mid 1980s, he directed the highly praised British telefilm, "Reilly: Ace Of Spies." For his work on "Edge Of Darkness," a five-hour BBC miniseries about nuclear contamination in England that depicted murder and high-ranking corruption, he won six BAFTA awards.
Campbell's first Hollywood movie was Criminal Law and he went on to direct Defenseless and No Escape. Some of his American credits include directing HBO's "Cast A Deadly Spell" and two episodes of NBC's "Homicide: Life On The Street," among others. He also directed the epic romance Beyond Borders starring Angelina Jolie and Clive Owen.
*http://www.imdb.com/title/tt0381061/
*http://mubi.com/cast_members/16871
Posts
0 comments:
Post a Comment