Eri Sugai :: Konjaku Monogatari

[postlink]https://yoursoundtrackfilm.blogspot.com/2011/10/eri-sugai-konjaku-monogatari.html[/postlink]http://www.youtube.com/watch?v=LPEd0LFvGG0endofvid
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Konjaku Monogatari


 * gift of the deities

this island of four seasons
do not forget, do not destroy our ancient ways
the heart of our true essence* 

drops of tears for the hazy moon
I dreamt on the night of a full moon
do not forget, do not forget
the heart that feels and speaks

a boxwood comb for the (long) black hair
letters for the beloved, written with brush and ink 

eyes alone speak to each other
on an island with a heart

cherry blossoms in the spring
coloring maple leaves in the autumn
many colors adorn
the prayers of the trees

hiding amongst the grass and reverberating,
the song of coming autumn
eyes closed,
it's the sweet lullabies that I remember

* (repeat)

allured by foreign lands
this changing island
do not forget, do not forget
here I make this wish in my heart

*lyrics ERI SUGAI
*The English translation by Masako Suzuki

*http://home.catv.ne.jp/ff/erital/audioroom/lyrics/konjyaku_E.html 


Storyline, A Frozen Flower (2008):

A Frozen Flower is based on a true story from the Goryeo Dynasty (918-1392) Korea, and takes its title from a song of that era which described the sexual relationships between men and women. It is the fifth feature film by director Yoo Ha, who wanted to make a change from his previous works by doing a historical film, saying, "I always felt uncomfortable with the genre but I felt I should try to overcome those feelings. It is also a new challenge for me to focus on a melodrama". He also stated that the film was "a love story between men".  The king of Goryeo Dynasty Korea attempts to shake off the dominance of Yuan Dynasty China and establish an autonomous state. He forms a palace guard composed of thirty six young soldiers, led by military commander Hong-rim. But the king faces betrayal when Hong-rim falls in love with both him and his wife, the queen from Yuan Dynasty. The Koryo Dynasty (918-1932), one of the most interesting eras in Korean history, is in its fin this al stages. The king is young and strong-willed, increasingly unwilling to adopt the Koryo ruler's traditionally subservient position towards China. Around him he has gathered a group of warriors, headed by the fanatically loyal and talented Hong Lim. But the king's failure to produce an heir has left him vulnerable, and Yuan Dynasty rulers in China have demanded that the king's cousin be installed as crown prince. The potential for an outbreak of violence, either from inside or outside the palace walls, appears to be high. From inside the monarch's private quarters, however, things are even more complicated. The king, it turns out, is gay, and locked in a love affair with Hong Lim. When the lack of an heir becomes untenable, he makes a bold proposal: for Hong Lim to secretly impregnate the queen. This, however, will not work out as he envisions¡¦ Rising director Yu Ha's first foray into period dramas is a heady mix of gaudy costumes, sharp weapons, jealous obsession, betrayal, bloodshed and lots of sex. It's a film that you experience viscerally. It is not out to reinvent the genre, or to introduce arthouse sensibilities to a medieval setting. It is simply an engaging story: a big, juicy steak of a movie.Frozen Flower's primary strengths lie in the realm of storytelling, not only in the grand sweep of the narrative, but on a micro level as well. Director Yu seems particularly skilled at maintaining dramatic tension even in the simplest of scenes. As for the characters he creates, it's not that they are especially unique or memorable, but the gradual shift in the relationships between them are handled so smoothly that they are fascinating to watch. The film's flaws too sometimes come into view. Although fairly high budget by Korean standards, some local viewers have criticised the art design and costumes as looking somewhat cheap and inauthentic. The plot also loses some of its momentum in the later reels, which were originally even longer before the director tightened them up just prior to its theatrical release. Nonetheless even the film's critics have had positive words for the lead actors, who turned in some of the most solid performances of their careers to date. Zo In-sung as Hong Lim is perhaps the most crucial contributor in that it is his inner turmoil that mirrors the major developments of the plot. Until his breakout role in Yu Ha's previous film A Dirty Carnival, Zo was better known for his good looks than his acting talent, but here he manages to portray his character's emotional vulnerabilities without ever coming across as weak. His suffering eyes are one of the film's indelible images. Joo Jin-mo (200 Pound Beauty) as the King is also unexpectedly effective, capably portraying both the admirable and menacing aspects of the ruler's personality. Finally, Song Ji-hyo (Some) as the young Queen brings a quiet intensity to her role. Her developing relationship with Hong Lim is charged, but there is also a slightly detached, cold quality to their passion that suggests it is more the product of desperation than genuine affection. One senses fairly early on in the film where all of this is headed, but it is exciting nonetheless to watch the various opposing forces play out. Although he has yet to achieve much international recognition, Yu Ha demonstrates again in this film that he is one of contemporary Korean cinema's most interesting voices. by Darcy Paquet

*http://www.fandango.com/afrozenflower_v479894/plotsummary 

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