0
[postlink]https://yoursoundtrackfilm.blogspot.com/2011/12/seal-kiss-from-rose.html[/postlink]http://www.youtube.com/watch?v=AMD2TwRvuoUendofvid
[starttext]
Kiss From A Rose 

Normal tuning


Intro:


Gm      F    G      x2
Duba dabu dubiduu....


Verse 1:


G                                Eb         F
There there used to be a greying tower alone on the sea
G              Eb            F  
You became the light on the dark side of me
G                  F               C            G
But love remains a drug that´s the high not the pill
G                             Gm
But did you know that when it snows,
Eb             F             Eb             F              G
My eyes become large and the light that you shine can´t be seen....


Chorus:


G                       Eb          F           G
Baby I compare you to a kiss from a rose on the grey
G                              F           G
Ooh, the more I get of you the stranger it feels
G                 Eb         F
And now that your rose is in bloom
Eb               F            G
A light hits the gloom on the grey


Intro x2


G                          Eb          F           G
There is so much a man can tell you so much he can say
G             Eb        F            G
You remain my power, my pleasure, my pain
G       Eb                       F                      G
Baby to me you´re like a growing addiction that I can´t deny
G                         Eb            F
Won´t you tell me is that healthy baby
            G                 Gm
But did you know that when it snows,
   Eb          F             Eb             F               G
My eyes become large and the light that you shine can´t be seen


Chorus x1


Eb F Eb F
F    C/F              Bb          F
I´ve been kissed by a rose on the grey   x4


2nd verse and chorus once


G              Eb        F
Now that your rose is in bloom
  Eb             F            G
A light hits the gloom on the bay


Gm  355333
F   133211
G   320003
C   032010
Eb  668886
C/F 003010


*http://tabs.ultimate-guitar.com/s/seal/kiss_from_a_rose_crd.htm


Storyline, Batman Forever (1995):


The legendary dark knight, Batman, has once again personal demons to face and insane villains who seek to destroy Gotham. But Batman is growing tired of his nightly parade as Batman and daily existence as the rich and powerful Bruce Wayne. He is haunted by memories of his parent's death and begins to remember details that he didn't before.

Two Face, a psycho killer who blames Batman for his scarred split face, teams up with The Riddler, an ex-employee of Bruce Wayne Enterprises, who was refused a partnership by Wayne, as his invention is very dangerous. Bruce/ Batman is thrown into contact with the beautiful Dr. Chase Meridian who is in Gotham to review the case of Two Face. A romance develops between the two, as Chase desires both Bruce and Batman, unaware that they are the same person. Bruce desires Chase more than anyone, knowing that she understands the human mind better than anyone else. He asks her to the Charity Circus that he is invited to with the other elite of Gotham. But the event is crashed when Two Face and his thugs also decide to attend uninvited. A family of acrobats are killed by Two Face, leaving only the youngest son, Dick "Robin" Grayson, alive and thirsting for revenge against Two Face.

Taken in by Wayne, he soon discovers Bruce's carefully hidden alter-ego, Batman and takes the Batmobile on a spin, interrupting a date between Chase and Bruce. He begs Bruce to allow him to be his partner when they finally return to the Bat Cave. Alfred, the elderly butler, refuses to spurn Dick's need for revenge, telling Bruce that once he was like that too.

Meanwhile, an entrepreneur calling himself Edward Nygma, who is actually Two Face's new accomplice The Riddler, is growing more and more rich, powerful and famous because of his invention of a new 3-D way of watching T.V. But he is in fact sucking all the secrets from the citizens of Gotham and growing extremely intelligent. He is gunning for Bruce as well as Batman and discovers that they are they same person. Soon the two villains are up against the newly formed partnership between Batman and Robin. When Chase is kidnapped by the evil pair, Batman and Robin go to The Riddler and Two Face's hideout on a metal-fabricated artificial island, after Alfred and Bruce manage to crack the riddles that The Riddler has been leaving him and they discover that Edward Nygma is the green clad villain.

In the end Batman is faced with the decision to save either Chase or Robin from the jagged rocks in a pit that they are suspended over by The Riddler. He tricks The Riddler however and breaks the giant hourglass structure that contains all the stored brainwaves of the citizens of Gotham. He saves both Chase and Robin, and uses Two Face's coin to kill the madman, by throwing a multitude of coins instead of only Two Face's special one. Robin understands that it is better that he didn't kill Two Face, agreeing with Bruce that such a crime is far too much too bear. At the end Edward claims that he is Batman, flapping the sleeves of his straight jacket in a grotesque imitation a bat's wings, cackling as Chase makes her way back outside of the lunatic asylum and informs Bruce that no one will ever know he is Batman. She leaves Gotham, never to see our secretive shadow destined hero ever again. Batman and Robin are now partners and the dark knight is indeed always going to the protector of the Gothic metropolis of Gothamby johnayel

[endtext]

Seal :: Kiss From A Rose

0
[postlink]https://yoursoundtrackfilm.blogspot.com/2011/12/cranberries-when-youre-gone.html[/postlink]http://www.youtube.com/watch?v=vBUd2i9ejr8endofvid
[starttext]
When You're Gone

NOTE: Capo in 3rd fret


Chords used:


  C   Am  Em  G   F
e-0---0---0---3---1
B-1---1---0---0---1
G-0---2---0---0---0
D-2---2---2---0---2
A-3-------2---2---3
E---------0---3----


Intro: x2


C             Am               Em                   G
   Hold on to love that is what I do, now that I've found you
C            Am                Em                     G
   And from above everything's stinking, they're not around you
       C                       Am 
   And in the night I could be helpless
              Em                   G
   I could be lonely, sleeping without you
       C                       Am
   And in the day everything's complex
                  Em                    G
   There's nothing simple when I'm not around you


Chorus:


      C                     Am
But I miss you when you're gone
            Em   F
That is what I do, babe, babe, babe
         C              Am
And it's going to carry on
            Em    F
That is what I knew, babe, babe, babe


Bridge: C|Am|Em|G


C             Am                  Em                   G
   Hold on to my hands I feel I'm sinking, sinking without you
C            Am                Em                     G
   And to my mind everything's stinking, stinking without you
       C                       Am 
   And in the night I could be helpless
              Em                   G
   I could be lonely, sleeping without you
       C                       Am
   And in the day everything's complex
                  Em                    G
   There's nothing simple when I'm not around you


Chorus:


      C                     Am
And I miss you when you're gone
            Em   F
That is what I do, babe, babe, babe
         C              Am
And it's going to carry on
            Em    F
That is what I knew, babe, babe, babe


Bridge: x2 C|Am|Em|F| babe, babe, babe


Outro: C|Am|Em|F| Fade out

*http://tabs.ultimate-guitar.com/c/cranberries/when_youre_gone_crd.htm

Storyline,  Lost In Translation (2003):

Bob, a 55 year old, looking bored, oblivious, is a still famous actor who comes to Tokyo to shoot a commercial for $2 million. As soon he arrives and is greeted by a bunch of smiling overly friendly Japanese crew, he gets a fax from his wife Lynda, 45 years old, reminding him that he forgot his son's birthday. The next morning, he spots Charlotte, 25 years old, in the elevator full of expressionless Japanese people. Bob, feeling totally oblivious, shoots a whiskey commercial.

Charlotte is accompanying her husband John, who is 30 years old and a constantly busy photographer, who doesn't pay much attention to her. He goes to Tokyo to shoot for a few days. She feels sad, lost and alone in a luxurious hotel.

In the evening, Bob and Charlotte have a pleasant short conversation in a hotel bar. For the next few days they briefly meet, whether accidentally or on purpose. Their sympathy for one another grows.

Charlotte invites Bob to join her and friends for a party. They all have a great time together. Their understanding of each other's feelings deepens. Charlotte reveals to him her fear of not knowing what to do with her life, he tells her about the scary and troubling parts of his marriage. After going back to his room, Bob tries to share his emotions about the party with his wife over phone, but she remains cold and talks about her daily routine.

The next day, Charlotte travels to Kyoto and Bob appears as a guest in a popular but meaningless Japanese show. Still desperate about his appearance in that show, he finds himself again in the hotel bar. Charlotte is not there. The singer from a hotel aproaches him and the two have a brief affair. Charlotte is disappointed about the affair the next day. They spend a terrible lunch together.

The last evening he admits that he wishes to stay in Tokyo with her. They both know their wish is just a romantic fantasy. They stay without words, holding each other hand, and kiss gently goodbye.

Before Bob leaves the next morning, he calls to see her again. They say bye without a kiss, both embarrassed, not knowing exactly how to react. She walks away. On the way to the airport, he spots her from the car. He rushes toward her. They embrace warmly. He whispers to her. They kiss gently but passionately and say goodbye. He observes the city from the car, feeling happy.by igor-matijevic

[endtext]

The Cranberries :: When You're Gone

0
[postlink]https://yoursoundtrackfilm.blogspot.com/2011/12/hold-me-thrill-me-kiss-me.html[/postlink]http://www.youtube.com/watch?v=HnO-TidMY8gendofvid
[starttext]
Hold Me, Thrill Me, Kiss Me....


by. Mel Carter.
Top of Billboard in '65.

        (Capo 4th fret for orig. or play in E)
#1.
C        Am       F            G       
Hold me, hold me, never let me go until you've 
C        Am
told me, told me,
F              G                  Am
what I want to know and then just hold me, hold me,
Dm               G                C  Am F G
make me tell you I'm in love with you.


#2.
C          Am         F                G
Thrill me, thrill me, walk me down the lane where
        C        Am
shadows will be, will be,
F             G                Am
hiding lovers just the same as we'll be, we'll be,
Dm               G                C  F C C7
when you make me tell you, I love you.


CHORUS:


     Dm         G                  C       Am
They told me be sensible with your new love,
         Dm              G                       C
Don't be fooled thinking this is the last you'll find.
    B7                                Em
But they never stood in the dark with you love,
         D               D7
when you take me in your arms and drive me
G                G7
slowly out of my mind.


#3.
C#       Bbm          F#               Ab
Kiss me, kiss me, and when you do I'll know that
         C#       Bbm
you will miss me, miss me.
F#         Ab            Bbm
If we ever say adieu, so kiss me, kiss me,
Ebm              Ab               C#
Make me tell you I'm in love with you. 


REPEAT#3.


ADD:


C#       Bbm         F#            Ab           C#
Hold me, thrill me...never, never, never let me go.(x3)

Storyline, P.S. I Love You (2007):

A grieving widow finds her husband's warmth radiating from the afterlife when she discovers that he left her a series of tasks to be revealed in ten monthly messages and designed to help her overcome her sorrow while gradually making the transition into a new life. Holly Kennedy (Hilary Swank) is a New York real estate broker whose good-humored husband, Irishman Gerry (Gerard Butler), always stood by her side. Suddenly, and seemingly out of nowhere, Gerry succumbs to a brain tumor and Holly is left to face an uncertain future. No one in the world knows Holly better than Gerry, not even her mother (Kathy Bates) or her best friends, Sharon (Gina Gershon) and Denise (Lisa Kudrow). But while Holly remains unsure if she can go on without the love of her life to help guide her, Gerry has planned ahead. On Holly's 30th birthday, she receives a cake and a special tape recording from Gerry that implores her to get out and celebrate instead of staying in and mourning. Later, as the months wear on, a series of additional messages arrive from Gerry -- always delivered in the most remarkable and surprising of ways. With each new message comes a new adventure, and each letter signs off in the same familiar way: "P.S. I love you." Despite the fact that Holly's mother and friends think these humorous, posthumous messages are keeping Holly bound to the past, the truth is that they are lovingly guiding her into the future while proving that sometimes death isn't just the end, but a new beginning as well. Director Richard LaGravenese teams with screenwriter Steve Rogers to adapt author Cecelia Ahern's best-selling novel.by Jason Buchanan, Rovi

[endtext]

Mel Carter :: Hold Me, Thrill Me, Kiss Me

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